Director: Edwin S. Porter Length: 12 minutes |
“The Great Train
Robbery” is that other famous movie
from the first era of motion pictures. They
always come in twos, don’t they? Peter
and Paul, Hamilton and Jefferson, Kirby and Ditko, Biggie and Tupac... I’ve seen this called the first Western
movie, but I’m not sure you couldn’t find an earlier one if you tried hard
enough. It is, however, the first movie spotlighted so far that was made in
America. Woo! Go America! U – S – A! U – S – A!
The director Edwin
Porter was probably the most important American filmmaker of the
19-oughts. Just about every research
source I’m using credits him as pioneering narrative storytelling in film, and
specifically “The Great Train Robbery” is cited as introducing crosscutting—cutting
back and forth between two locations to portray simultaneous action. It also pioneered the technique of matting one shot within another—the predecessor
to greenscreening. You see this during
the scene on the boxcar, when the trees are visible rushing by through the
window. But I don't really get off much on the technical aspects of edition, to be honest... Plus, I can’t just keep talking
about how this-movie-or-that pioneered this-or-that, or else it’s gonna get
really tedious.
The story is
this: four bandits rob some guy at a
train station. I think he might be a
ticket salesman? We don’t really have
trains where I live, so I’m not sure.
The bandits catch up to the train, rob it, and get away on horseback. But meanwhile... this is where the
crosscutting comes in... the maybe-ticket-salesman is found by his daughter and
freed, and he alerts a posse of vigilantes.
The posse catches up to the bandits and guns them down. To hell with due process, mow the fuckers
down! U – S – A! U – S – A!
To be completely frank, this movie is awfully boring. Yeah,
yeah, I know...it’s a century old, and I shouldn’t be too judgmental, but come
on! The last movie I saw was about a
colorful, phantasmagorical voyage to the moon!
It had prancing moonlings and a gargantuan cannon! This movie has bandits, steam trains, and
horses—the difference does not go unnoticed.
Also the color is gone, again... though to be fair, there is a version
which adds a little color-tinting. Why,
1940s... why must you be so far away?
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